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The Ultimate Guide to Yoga Lingo

 

Reprinted from www.greatist.com • Article by Kelly Fitzpatrick • Illustration by Shannon Orcutt

From “Om“ to “Namaste,” yoga enthusiasts practically speak their own language. Here’s our guide to all things yoga to make reaching savasana (don’t worry, we’ve defined it below) much less intimidating.

The Methods

One look at a yoga studio’s schedule and it’s time to whip out a dictionary. We’ve decoded some of the crazy-sounding names and pointed out the best bets for beginners. A word of warning: Always check with the studio or instructor before jumping into a new class, as teaching methods may vary between studios and even instructors.

Anti-Gravity or Aerial: A blend of aerial arts and yoga, this method (a few schools teach similar classes under different names) relies on a fabric trapeze bearing some or all of the body’s weight, allowing practitioners to focus on posture and relaxation— not to mention it’s a ton-o-fun. Beginner-friendly.

Ashtanga: A more athletic method, Ashtanga is a traditional practice focused on progressive pose sequences tied to the breath. The Primary Series, made up of about 75 poses, takes about 90 minutes to go through and promotes spinal alignment, detoxification of the body, and building strength and flexibility. And there ain’t no stopping in this class— continuous flow is central to its practice.

Bikram: A series of 26 basic postures, repeated twice each, practiced in a 105-degree studio. This method, created by Bikram Choudurhy, has inspired similar “hot” and “warm” yoga classes.

Hatha: Most modern forms of yoga fall under this traditional branch. Classes called “Hatha” are typically basic with a classic approach pairing breathing exercises with postures. Beginner-friendly.

Integral: As the name suggests, this method aims to make yoga an integral part of practitioners’ everyday lives. Classes include asanas along with breathing techniques, mantras, and meditation. Beginner-friendly.

Integrative: Formally known as Integrative Yoga Therapy, this method was developed specifically for medical settings and is used for patients with everything from heart disease to AIDS to psychiatric disorders.

ISHTA: This stands for Integrated Science of Hatha, Tantra, and Ayurveda, and aims to connect students with their own internal energy. Classes include a cocktail of Ashtanga-like postures and Iyengar’s precision served on the rocks with breathing and meditation.

Iyengar (i-ying-ger): This form holds poses for much longer than other yoga practices, encouraging students to feel each muscle’s role in the pose. Iyengar often incorporates props like belts, blocks, blankets, and chairs and is a good practice for people with injuries or specific physical limitations. Beginner-friendly.

Jivamukti (jee-vah-mook-tee): This method is focused on an authentic spiritual experience. Each class concentrates on a theme and may involve chanting and scripture readings.

Kripalu (kree-pah-loo): With a focus on getting in touch with the body, each class of this method moves through three phases: basic mechanics, mediation and long-held poses, and a flowing sequence. Beginner-friendly.

Kundalini: A fluid, energetic method that keeps practitioners moving through poses. The sequences are made up of rapid, repetitive movements intended to awaken the body, mind, and spiritual strength. This practice works to tap into the inner “Kundalini” (aka “serpent” energy).

Power Yoga: This method has an athletic edge and was created for Westerners back in the ‘80s. It’s often practiced in a mildly heated room, and classes may vary greatly based on the teacher’s style, as it doesn’t follow a set progression of of asanas.

Prenatal: A type of yoga designed for moms-to-be and even new mamas. By focusing on yogic breathing (think of it as the hip version of Lamaze) and strengthening muscles, some say prenatal yoga may even ease and speed up delivery. Beginner-friendly.

Restorative: Relaxation is key in restorative yoga, which is especially great for anyone recovering from injury (or in need of some serious chill time). Expect easy (often modified) standard asanas held for an extra-long time to allow the mind to tune out and calm down. Beginner-friendly.

Sivananda (shi-vah-non-dah): A slow-paced, spiritual method that incorporates sun salutations and the same 12 asanas in each class. This school of yoga focuses on breathing, relaxation, diet, exercise, and positive thinking as the means to a healthy lifestyle.

Viniyoga: This class is personally tailored to each yogi with plenty of one-on-one attention from the instructor. It encourages adapting postures to personal abilities and needs. Beginner-friendly.

Vinyasa: This is a wider category of yoga practices including Ashtanga, Power Yoga, and Jivamukti Jivamukti, among others. Generally, vinyasa classes are flowing and rhythmic. A vinyasa is also any progression of flowing postures (see below).

Yin: A slow-paced, meditative practice, Yin gives muscles a break and allows gravity to do the work during poses. Yin aims to lengthen connective tissue as a complement to strength-based classes. Beginner-friendly.

*These definitions are based on info found at Women’s Health and Yoga Journal.

The Poses

Trying to move into a pose while watching the instructor and decoding the Sanskrit pose names often results in a bit of an awkward limbo move. Get the D-L on common poses beforehand to keep up with the pros. Note: Almost all poses have a Sanskrit and English name— we’ve organized ours by type of pose and then alphabetized by English name. Check out the traditional pronunciation to sound extra in-the-know.

Seated and Twists

Bound Angle or Cobbler’s (Baddha Konasana, bah-da kone-ahs-ahna): Sit tall on the sit bones, bend knees, and bring soles of the feet together. Grab the feet or ankles and lengthen the back, lifting the crown of the head to the ceiling. To modify, sit on top of a block, lessening strain on hips and groin.

Cow Face (Gomukhasana, go-moo-kahs-ahna): Sit with knees bent, soles of the feet on the floor. Slide one foot under the opposite knee, and bring the top knee down to rest atop the bottom knee so that knees are stacked, facing forward. Raise the arm on the side of the bottom leg, turn and bend it until it is touching the upper back. Extend the opposite arm, turn and bend it to reach back for the other hand, clasping them together, if possible.

Lotus (Padmasana, pod-mahs-ahna): Similar to easy pose, but with feet resting on top of the thighs, rather than on the floor.

Pigeon (Kapotasana, cop-poh-tahs-anna): From downward dog, bend one leg in to the chest, bring between the arms and place on the mat with foot pointing to opposite side. Keep opposite leg extended straight behind. Bring the hands to either side of the hips, lengthening the back. To deepen the pose, lean the torso forward over the bent leg and reach arms straight forward.

Staff (Dandasana): Sitting on the buttocks, legs extended directly in front, hands rest on the floor next to the hips to help lengthen the back.

Seated Spinal Twist (Matsyendrasana, mot-see-en-draws-ahna): From Staff Pose, bend the right knee to draw the right heel toward the left seat. Cross and step the left foot to the outside of the right knee. Place the left hand a few inches behind the sacrum for support, and twist to the left using the right hand or elbow against the left knee for resistance.

Standing

Chair (Utkatasana, oot-kah-tahs-ahna): Stand up straight with feet together. Bend the knees slightly, bringing buttocks toward the ground as if sitting in a chair, but keeping the knees together and aligned. Raise arms straight up next to the ears.

Dancing Shiva or Lord of the Dance (Natarajasana, not-ah-rah-jahs-ahna): From standing, transfer weight to the right foot and bring the left heel to the buttocks. Reach back with the left hand, grasping the inside of the left foot. Lift the left thigh by kicking the foot back into the hand. Once balanced, raise the right arm straight overhead.

Eagle (Garudasana, gah-ru-dasana): From standing, bend knees slightly and cross one thigh over the other, transferring all weight to the standing leg. Wrap the crossed leg around the standing leg, hooking the foot around the calf (or getting as close as possible). Extend arms straight forward and cross one over the other. Bend elbows, so the elbow on one arm is tucked inside the other. Turn palms inward and grasp hands.

Half Moon (Ardha Chandrasana, are-duh chun-drahs-ahna): Similar to Warrior II, but with the body rotated to face the side of the supporting leg. Reach arm on the supporting leg’s side towards the floor for support, while reaching the opposite arm up towards the ceiling. Bring gaze towards raised hand.

Lizard (Utthan Pristhasana, oot-ahn prees-thahs-ahna): From a lunge position, turn front foot to a 45 degree angle and bring forearms to the floor inside the front leg.

Mountain (Tadasana, ta-dahs-ahna): Stand tall with big toes touching but heels slightly apart (so that the outsides of the feet are parallel). Root through the entire foot and rest the arms at the sides. Reach the crown of the head toward the ceiling, lengthening the spine.

Reverse Warrior: From Warrior II, stretch the back arm and lean torso back until the back hand reaches the back leg. Turn the palm upward, reaching the front arm overhead with the palm facing the back of the room and the fingers pointing up.

Tree (Vrksasana, vrik-shahs-ahna): From mountain pose, bring the sole of one foot up to the inner thigh or calf of the other leg (never on the knee joint!). Raise the arms up and open slightly, palms facing each other or fingers in Jnana Mudra. If possible, look upward.

Warrior I (Virabhadrasana I, veer-ah-bah-drahs-ahna): From a lunge position, turn the heel of the back foot down to reach the floor. Keep torso and hips facing front and reach arms straight upward alongside each ear, lifting the chest toward the ceiling.

Warrior II (Virabhadrasana II): With feet in the same position as Warrior I, open the torso to the side of the back leg. Extend arms straight out to the front and back, palms facing down. Look forward over the front arm.

Warrior III (Virabhadrasana III): From Warrior I, lift the back leg and lean the upper body forward, creating a straight line supported by one leg. Reach forward with both arms. Arms, hips, and raised leg should be parallel to the floor.

Arm Balances

Crow (Kakasana or Bakasana): From standing, turn toes outward, heels touching. Bend knees until buttocks rest on heels. Lean upper body forward, placing forearms on the floor, knees against shoulders or upper arms. Shift weight forward onto hands, lifting forearms from the floor, and lift the buttocks with knees supported by upper arms. In full crow, feet come all the way off the floor.

Eight-Angle Pose (Astavakrasana, ahsh-tah-vah-krahs-ahna): From standing forward, bend wrap the right arm inside and around the right leg, placing the hand on the floor outside the right foot. Work the right shoulder behind the knee, then cross the left ankle in front of the right. Slowly lift both feet to the right, supporting the weight on both palms.

Scale Pose (Tolasana, toe-lahs-ahna): Start in lotus pose and place both palms on the floor next to the hips. Contract abdominal muscles and lift the buttocks from the floor. To increase the lift, add a block under each hand.

Firefly (Tittibhasana, tee-tee-bahs-ahna): Similar to crow pose, but with arms straightened and legs extended to each side. Advanced.

Core

Boat (Paripurna Navasana, par-ee-poor-na nah-vahs-ahna): Balancing on the sit bones, the back and legs rise from the mat, creating a “V” shape with the body. The back is straight (not rounded or arched) and legs begin bent at the knee with shins parallel to the floor (half boat pose), then straighten the legs to reach full boat pose.

Bow (Dhanurasana, don-your-ahs-ahna): Lay on the stomach, arms at sides. Bend the knees reaching the heels toward the buttocks. Reach back with the hands to grasp ankles, and use the core muscles to lift the chest and legs off the mat, balancing on the hip bones.

Cat-Cow (Marjaryasana, mahr-jahr-ee-ahs-ahna): Technically two separate poses, cat-cow refers to a linked movement. Begin on hands and knees with spine neutral. Arch the back, bringing the chest forward and up and then reverse, pulling chest and stomach inward while rounding the back.

Four-limbed Staff Pose (Chatarunga Dadasana, chat-ah-tuhn-gah da-dahs-ana): From plank pose, lower the body until only a few inches from the floor. Keep elbows pulled in toward the ribs.

Dolphin: Begin on hands and knees and then lower to forearms. Curl toes under and lift the hips. This pose resembles downward dog, but with weight on feet and forearms rather than hands.

Plank (Phalankasana, pal-a-kahs-ana): The body is supported on toes and hands, with arms unbent and positioned directly under the shoulders— as if in a push-up position.

Side Plank (Vasisthasana, vahs-ees-thahs-ahna): From plank position, turn toes to the left, stacking left foot on top of right, and lift left arm from the mat, reaching toward the ceiling. Maintain the straight line of the body, simply rotate to one side.

Locust (Salambhasana, shah-la-bahs-ahna): Laying on stomach with arms at sides, lift chest and legs from the floor, reaching back with arms.

Backbends

Bridge (Setu Bandha Sarvangasana, set-too bahn-dah sar-van-gahs-ahna): Lying with back on the mat and arms at sides, bend knees bringing the soles of the feet to the mat. Move heels towards buttocks until the finger tips can reach them. Rolling onto the outer shoulder blades, lift hips from the mat until they create a straight diagonal line from knees to shoulders. For supported bridge, place a block under the sacrum resting weight on the block for a restorative posture.

Camel (Ustrasana, oosh-trahs-ahna): From a kneeling position, rise so that thighs are perpendicular to the floor. Slowly arch the back, raising the chest to the ceiling and bring the hands behind you to rest on the ankles or heels. Try to push the chest up and out.

Cobra (Bhujangasana, boo-jang-ahs-ahna): Lay face-down on the mat, palms on the mat alongside the ribs. Lift the chest off the mat, bringing the gaze forward or slightly upward, rooting through thighs and the tops of the feet.

Upward-Facing Dog (Urdhva Muhka Svanasana, oord-vah moo-kah svahn-ahs-ahna): Similar to cobra pose, but with arms fully straightened, and the entire body lifted from the mat, supported only on the hands and tops of the feet.

Wheel (Urdhva Dhanurasana, oord-vah don-oor-ahs-ahna): From bridge, place hands on the floor behind the shoulders, with the fingers pointed toward the feet and elbows pointed straight up. Lift entire body from the floor, supported by hands and feet.

Forward Bends

Downward-Facing Dog (Adho Mukha Svanasana, ah-doh moo-ka svahn-ahs-ahna): Hands shoulder-width apart, placed firmly on the mat. Feet hip-distance apart, weight evenly distributed between hands and feet, with heels pushing toward the floor.

Happy Baby (Ananda Balasana, ah-nahn-dah bahl-ahs-ahna): Lying on back, bring knees toward the chest. Grasp knees and spread legs hips-width apart.

Standing Forward Bend (Uttanasana, oot-tahn-ahs-ahna): From mountain pose, bend from the hips, reaching for the floor. Try to keep knees straight while bringing hands to shins or the floor.

Three-Legged Dog (Tri Pada Adho Mukha Svanasana, tree pah-dah ah-doh moo-ka svahn-ahs-ahna): From downward dog, lift one leg up and back, keeping the knee straight and the raised foot flexed. Also known as down-dog split.

Triangle (Trikonasana, tree-kone-ahs-ahna): From Warrior II, straighten both legs, shift the hip back and the torso toward the front leg, reaching toward the ankle with the front arm, trying to keep the body rotated to the side of the back leg. Reach upward with the back arm and keep gaze down at the front foot or back at the upper arm.

Straddling Forward Bend (Prasarita Padottanasana, prah-sa-ree-tah pah-doh-tahn-ahs-ahna): With feet wide apart (depends on flexibility, but wider than shoulder width), outsides of the feet parallel, bend forward at the hips, resting hands on the floor or a block, and (if possible) bringing the crown of the head to the floor. This can also be a preparation for a headstand.

Inversions

Handstand (Adho Mukha Vrksasana, ah-doh moo-kah vricks-ahs-ahna): For this inversion of mountain pose, start in downward dog with hands a few inches from a wall. Bring one foot closer to the hands and hop with the back foot until comfortable hopping all the way up to the handstand, supported by the wall.

Supported Headstand (Salamba Sirsasana, sah-lom-ba sheer-shahs-ahna): From kneeling, interlock the fingers and place forearms on the floor, elbows shoulder distance apart. Set the crown of the head on the floor between the hands, stand and walk the feet toward the head. Eventually, lift the feet from the floor, supporting through the arms, not the head and neck.

Supported Shoulder Stand (Salamba Sarvangasana, sah-lom-ba sar-van-gahs-ahna): Lay on the floor, with arms at sides, knees bent with the soles of the feet on the floor. Contract the core muscles to pull the knees in toward the chest, and then continue to lift the pelvis and back. With upper arms on the floor and palms supporting the lower back, straighten the legs upward.

Plow (Halasana): Lay on the back, keeping legs straight. Flip legs overhead so the toes touch the ground behind the head. The body should be supported by the shoulders, arms at sides.

Restorative

Child’s Pose (Balasana, bah-lahs-ahna): Kneel on the mat with big toes touching, knees hip width apart. Bring the upper body forward to rest on the thighs, bending at the hips. Arms can be left at the sides or extended all the way forward on the mat. If buttocks does not reach heals, place a blanket or pillow in the void.

Corpse (Savasana, shah-vahs-ahna): A relaxation pose, savasana is typically reserved for the end of the practice. Lay on the back, arms comfortable resting at side, palms facing up. Feet and legs gently turned outward.

Crocodile (Makarasana, mah-kah-rah-nahs-ahna): Lay face down on the floor with legs slightly spread, toes turned outward. Stack forearms and rest forehead on arms.

Easy (Sukhasana, soo-kahs-ahna): Resting on the sit bones, cross legs, bringing the tops of the feet to the floor and stretching knees downward. For a modification, sit on a block. Alternate the crossing of the legs each time the pose is taken.

Hero (Virasana): Kneel with knees together and feet spread slightly wider than hips. Sit back on the calves, back tall.

*We used Yoga Journal and Mind Body Green to help describe these poses.

The Anatomy

When moving through a class, yogis are likely to hear some uncommon anatomy phrases. This one’s for all the non-docs out there.

Sacrum: This is a bone structure at the base of the spine, which includes the tailbone.

Sit Bones: Part of the pelvis, these bones are most easily felt when sitting on a hard surface. They’re located toward the underside of the buttocks. This is the part of the butt yoga instructors often recommend sitting on.

Sternum: Also known as the breastbone, this is the bone that runs vertically down the center of the chest. An instructor may direct the class to reach their sternums forward, upward, etc.

Crown of the head: It’s exactly where someone would wear a crown (shocker). It’s the top most part of the skull. When standing or sitting up straight, always lift the crown of the head toward the ceiling.

The Catchphrases

When adopting the yoga lifestyle— or even just hitting up the occasional class— funky phrases abound.

Asanas: Sanskrit for “manner of sitting,” an asana is any yoga posture or pose.

Ashram: A destination for a yoga retreat. Ashrams offer yoga workshops, seminars, and events.

Block: Usually made of foam or cork, yoga blocks provide extra support for the body in more difficult yoga positions.

Chakra: Energy centers throughout the body. We each have seven chakras: the “base” chakra, sacral chakra, solar plexus chakra, heart chakra, throat chakra, brow (aka “third eye”) chakra, and crown chakra.

Karma: An Eastern concept of cause and effect. The belief is that karma is not a punishment for actions, it is simply the result.

Mantra: A few words or syllables to repeat while meditating. It should inspire, but not distract, the mind.

Namaste: Generally, a greeting, but in yoga, it is meant to be a greeting of another’s soul.

Om: Nope, not just a stereotype. This slow, steady sound is a mantra.

Pranayama (prah-nie-yahm-ah): Controlled breathing or breathing techniques used during yoga.

Fire breathing (Kapalbhati, kah-pah-lah-bah-tee): A pranayama technique used during Kundalini, Breath of Fire involves rapid breathing that engages the diaphragm.

Jnana Mudra (nyah-nah moo-drah): The hand position often adopted when meditating. The tips of the forefinger and thumb come together (as if saying “OK”). Rest the hands with palms facing upward.

Sanskrit: An ancient language of India and Hinduism.

Sun Salutation: A sequence of asanas: mountain pose, standing forward bend, lunge, plank pose, chatarunga, upward-facing dog, downward-facing dog.

Vinyasa: Any flowing sequence of poses. Examples include cat-cow and sun salutations.

The Great Bell Chant Meditation (The End of Suffering)

Read by Thich Nath Hanh, chanted by brother Phap Niem.

The creators of this audio track were Gary Malkin, the composer/arranger, producer, and collaborator Michael Stillwater. The work came from a CD/book called Graceful Passages: A Companion for Living and Dying, and it could be purchased by going to wisdomoftheworld.com.

Visuals taken from:

HOME, Earth and Baraka

You can download the MP3 Audio here: wkup.org/images/audio/thay_phapniem_greatbellchant.mp3

The Great Bell Chant (The End of Suffering) from R Smittenaar on Vimeo.

Poem by Rainer Maria Rilke: This Press of Time

We set the pace,

But this press of time –

take it as a little thing

next to what endures.

All this hurrying

soon will be over

Only when we tarry

do we touch the holy.

Young ones,

don’t waste your courage

racing so fast

flying so high.

See how all things are at rest –

darkness and morning light

blossom and book.

Mother Teresa: “Do It Anyway”

The verses below were written on the wall of Mother Teresa’s home for children in Calcutta, India and are attributed to her:

People are often unreasonable, irrational, and self-centered.  Forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives.  Be kind anyway.

If you are successful, you will win some unfaithful friends and some genuine enemies.  Succeed anyway.

If you are honest and sincere people may deceive you.  Be honest and sincere anyway.

What you spend years creating, others could destroy overnight.  Create anyway.

If you find serenity and happiness, some may be jealous.  Be happy anyway.

Give the best you have, and it will never be enough.  Give your best anyway.

In the final analysis, it is between you and the Divine.  It was never between you and them anyway.

Perfection from the Inside Out

In our culture, we are continuously being fed images of “perfection” especially through the media. What does it look like to have a perfect body? What does the perfect life look like? What does the perfect holiday celebration look like?

The words of songwriter Leonard Cohen suggest a deeper perfection that is inherent within the apparent imperfection. In his song “Anthem” Cohen sings, “Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything; that’s how the light gets in.”

In Sankrit (the ancient language of India) the word for perfection is Purnatva. It is also the word for wholeness. When we practice yoga, the intention is not to try to look like a picture in a book — an ideal image of what a yoga pose should be — but rather to do the pose from the inside out. When we bring the totality of our Being into the expression of a yoga pose — we ring the bells that still can ring — and in that way, in that moment, we express our full unique self, we come to know ourselves more fully, we experience our own innate perfection.

There is an innate perfection in the beauty of the trees, a newborn baby, the glory of sunrise, and there is an innate perfection in each of us. May our yoga practice help to unveil the perfection inherent within each of us, and from that wellspring of wholeness may we recognize the perfection of the body we are inhabiting, the life we are living, and the celebrations we are experiencing.

Geri Portnoy: Theme for yoga class on Saturday, November 27, 2010

Poem by Stanley Kunitz “The Layers”

(this poem was written by Stanley Kunitz when he was in his 70′s)
I have walked through many lives, some of them my own,
and I am not who I was, though some principle of being abides,
from which I struggle not to stray.
When I look behind, as I am compelled to look
before I can gather strength to proceed on my journey,
I see the milestones dwindling toward the horizon
and the slow fires trailing from the abandoned camp-sites,
over which scavenger angels wheel on heavy wings.
Oh, I have made myself a tribe out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled to its feast of losses?
In a rising wind the manic dust of my friends,
those who fell along the way, bitterly stings my face.
Yet I turn, I turn, exulting somewhat,
with my will intact to go wherever I need to go,
and every stone on the road precious to me.
In my darkest night, when the moon was covered
and I roamed through wreckage, a nimbus-clouded voice
directed me: “Live in the layers, not on the litter.”
Though I lack the art to decipher it,
no doubt the next chapter in my book of transformations
is already written.
I am not done with my changes

Poem by Galway Kinnell: St Francis and the Sow

The bud

Stands for all things,

even for those things that don’t flower,

for everything flowers, from within, of self-blessing

though sometimes it is necessary to reteach a thing its loveliness,

to put a hand on the brow of the flower and retell it in words and in touch

it is lovely

until it flowers again from within, of self-blessing;

as Saint Francis put his hand on the creased forehead of the sow,

and told her in words and in touch

blessings of the earth on the sow, and the sow

began remembering all down her thick length,

from the earthen snout all the way

throught the fodder and slops to the spiritual curl of the tail

from the hard spininess spiked out from the spine

down through the great broken heart . . .

the long, perfect loveliness of sow

What Does Namaste Mean?

Namaste is the greeting we use at the end of yoga class.  What does it mean?  And how can the use of this word improve our lives, our relationships, and the state of our world?

This month Yoga Journal Magazine (March 2010 ) featured an article on Pastor Eddie D. Smith Sr. who introduced the word ‘Namaste’ to his congregation in Georgia.  He saw how so many of the young black men in his community were killing each other.  He instructed them to begin to greet each other with the word ‘Namaste’ which means: “The Divinity within me salutes the Divinity within you.” He suggested that by seeing the spark of Divine in one’s self and in the other, a natural respect arises.

Our yoga practice invites us into a direct experience of connecting to a deeper part of ourselves where we feel our own Divinity, worthiness, and fundamental essence.  From this connection to The Source of Life within us it becomes easier to connect to that same place within the other.  To paraphrase Pastor Smith:  If Namaste were really understood, the world would be a better, more peaceful and safer place.

Click on the video below to watch the (2 min.) video clip of Pastor Eddie D. Smith teaching his congregation the word Namaste.

If this video doesn’t show up for you, click on this link to view it on YouTube: http://www.youtube.com/watch?v=izzNFCtFyyY

Poem by Antonio Machado: Has My Heart Gone To Sleep?

Has my heart gone to sleep?

Have the beehives of my dreams stopped working, the waterwheel

of the mind run dry, scoops turning empty,

only shadow inside? [Read more...]

Has my Heart Gone to Sleep?

Has my heart gone to sleep?  . . . No, my heart is not asleep.  It is awake, wide awake.     – Antonio Machado (19th century Spanish Poet) Complete Poem Here

I just returned from teaching in Mexico City.  I was surprised to see people there grappling with the same issues that confront us here in the USA:  financial instability, environmental degradation, the fast pace of life, and a deep longing for a better way of life that invites forth more of our humanity and dignity.  Yogis all over the world are choosing a practice that invites change, that calls us into the arena to be more open, to feel more deeply and live with greater passion and aliveness — so we are not just a “stranger on this dark earth.” (Rilke)

We are called to open our hearts to feel more fully, this is an ever deepening journey of intimacy with ourselves and the world.  As yogis we want the flexibility to be able to open our hearts when appropriate and close our hearts when necessary.  This pulsation of opening and closing is called spanda in Sanskrit

May our yoga practice today, awaken us to the spanda of our own hearts that we may be aware of the times when we are closing and the times when we are opening, that we may live more skillfully, more consciously, with a greater ability to give and receive Love.

Slowing Down to Hear the Music of Life

The rate of change in life is accelerating.  Everyone and everything is moving faster and faster.

The Wahsington Post recently put Joshua Bell, one of the greatest violin masters in the world, in a busy Washington, D.C subway station .  They video taped him playing violin while people rushed by.  They wanted to see if anyone would pause and notice that a master musician was playing some of the most exquisite music on the planet.  You can watch the video by clicking here:  “Stop and Hear the Music”

[Read more...]

Celebrating Yoga Del Mar – a poem by Nikyta

We shape clay into a pot.  But it is the emptiness inside that holds whatever we want.        -Tao Te Ching #11

like this space / how an empty room / without furniture / No pictures hanging on the wall / bare wood floor and draped windows

How an empty room / can hold so much [Read more...]

The Underground Currents of Being

Ask Me

Some time when the river is ice ask me
mistakes I have made. Ask me whether
what I have done is my life. Others
have come in their slow way into
my thought, and some have tried to help
or to hurt: ask me what difference
their strongest love or hate has made.

I will listen to what you say.
You and I can turn and look
at the silent river and wait. We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.

— William Stafford

[Read more...]

Yoga as a creative artistic expression of Being

In your light I learn how to love.  In your beauty how to make poems.

You dance inside my chest where no one sees you.  But sometimes I do

and that sight becomes this art.

–Rumi

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